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Venice FF 2022 – Official Competition

TIFF 2022 – Special Presentations

New York FF 2022 – Official Selection

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Venice FF – Official Competition

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“The film presents all this with humor, and it works – the result is entertaining and funny”

“A rich gallery of sympathetic and compassionate characters”

– The News –

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Festival: 

Official Competition – Cannes FF

Quotes:

“The most perfect, recognizable representation of what life has felt like in the pandemic.”

– The New York Times –

“Marion Cotillard and Melvil Poupaud are at the top of their game.”

– The Hollywood Reporter –

“Desplechin has a gift for examining grief and pain but often leavens the dismay with humour or irony.”

– Screen International –

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“The funniest film in recent memory.”
– Le Monde –

“Dupieux is now a major player.”
– Télérama –

“Quentin Dupieux’s most delightful comedy yet.”
– Le Figaro Magazine –

“A gallery of delicious portraits.”
– Sud Ouest –

”The pleasure is contagious.”
– Le Figaro –

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Festivals:

Best Actress Award – Cannes FF 2022

Special Presentations – TIFF 2022

Quotes:

“Holy Spider is equal parts gripping and disturbing”

– The Hollywood Reporter –

“A serial-killer thriller that’s profoundly compelling and intentionally horrifying”

– The Telegraph –

” It’s a statement of intent, showing a laudable instinct for humanizing and dimensionalizing the victims and their families, who are poignantly depicted”

– Variety –

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“A remarkable supernatural twist to the coming-of-age drama rich with thematic intrigue and sensuality.”

– Indiewire –

“The Five Devils captivates from its very first seconds. Incredibly rich and inviting.”

– The Playlist –

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Festival:

Best Director Award – Berlin FF

Quotes:

“A Sexy, Emotionally Volatile Relationship Drama.”

– Variety –

“Denis is a masterful director who always knows exactly what she’s doing. ”

– The Hollywood Reporter –

“A contained backdraft of a film that’s as volatile and untamed as an inferno.”

– IndieWire –

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Festival:

75th Anniversary Prize – Cannes FF

Quotes:

“Tori and Lokita” is the Dardennes’ strongest, most dramatically persuasive film in years”

– New York Times –

“The angriest movie the Dardenne brothers have ever made.”

– IndieWire-

“The best work in nearly a decade from the two-time Palme d’Or-winning Belgian brothers.”

– The Los Angeles Times –

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“Maksym Nakonechnyi has been very resourceful in gathering footage that starkly and upsettingly reveals the trauma of recent times.”

– Deadline –

“A magnetic central performance from Rita Burkovska.”

– Screen –

“Butterfly Vision naturally takes on another dimension today. This powerful drama that also questions the place left to hope is a success.”

– Polyester –

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“An enjoyable out-of-competition entry that played well for a roomful of people looking for a distraction from real-world problems. “

– IndieWire –

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Festival selection:

New York FF 2022 – Official Selection

Quotes:

“R.M.N is Mungiu’s most fully realized work since “4 Months””
– INDIEWIRE –

“An absorbing watch.”
“The message is topical, not to say urgent.”
“A dramatic tour de force.”
– SCREEN –

“Intimidatingly intelligent.”
“A complex film, so replete with ideas that one might expect the aesthetics
to be of lesser concern, but R.M.N is almost absurdly handsome.”
– VARIETY –

“R.M.N is a fascinating, very human exploration of
the many problems faced by one of the last countries entered in the EU.”
– THE HOLLYWOOD REPORTER –

“As ever, the writer-director works intimately
and close to the ground with his handful of characters.”
– DEADLINE –

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Festival:

Cannes Premiere – Cannes FF

Quotes:

“Bouchareb means to enrage his audience — to remind them that France’s shameful past isn’t that far removed from our collective present — and he honours the dead by keeping the proceedings modest. The sobering story doesn’t need much embellishment.”

– Screen Daily –

“Khoudri is one of the most promising and versatile actresses of the young French generation.”

– Washington Post –

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“A precisely calibrated, emotionally nuanced exploration of one woman going through a mid-life crisis in rural Indonesia during the 1960s that both looks and sounds stunning thanks to above-and-beyond craft contributions.”
– The Hollywood Reporter –

“Before, Now & Then is a very carefully wrought arthouse film of the kind we used to see a good deal more in festivals, wreathed in poetic melancholy and never less than beautiful”
 – Deadline –

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