US Release - April, 5th
High Life was released in the US on April 5th, 2019 by A24.
Just a few weeks since the US release and the numbers are already defying expectations with 334K$ at the US Box Office.
“Claire – the best filmmaker alive.”
–INDIEWIRE –
Claire Denis, vanguard of the contemporary French cinema”
-LAWEEKLY-
High Life was released in the US on April 5th, 2019 by A24.
Just a few weeks since the US release and the numbers are already defying expectations with 334K$ at the US Box Office.
“Claire – the best filmmaker alive.”
–INDIEWIRE –
Claire Denis, vanguard of the contemporary French cinema”
-LAWEEKLY-
Cesar Winner - BEST ANIMATED FILM
Dilili in Paris, directed by Michel Ocelot, was the opening movie at the 42th Annecy International Animation Film Festival.
French Release – October 10th (Mars Films)
“Michel Ocelot offers up a pleasantly meaningful journey through French cultural history” – THE HOLLYWOOD REPORTER
“Sumptuous settings perfectly captured in 2D and 3D” – LE FIGARO
“Magnificent” – PREMIERE
“The marvel of the 42th Annecy Festival” – LE POINT
Cesar Winner – BEST ANIMATED FILM
(...)
Dilili in Paris, directed by Michel Ocelot, was the opening movie at the 42th Annecy International Animation Film Festival.
French Release – October 10th (Mars Films)
“Michel Ocelot offers up a pleasantly meaningful journey through French cultural history” – THE HOLLYWOOD REPORTER
“Sumptuous settings perfectly captured in 2D and 3D” – LE FIGARO
“Magnificent” – PREMIERE
“The marvel of the 42th Annecy Festival” – LE POINT
Cesar Winner – BEST ANIMATED FILM
Cesar Winner- BEST FOREIGN LANGUAGE FILM
Shoplifters, Palme d’Or at the 71st Cannes Film Festival, screened at the Toronto, San Sebastian and London film festivals !
Japanese release – June 8th (GAGA) has already surpassed 4 billions JPY BO ($39.4M)
US Release – November, 23rd (Magnolia)
“A masterful ensemble piece” – SCREEN
“A rich, satisfying film” – THE GUARDIAN
OSCAR NOMINATION: BEST FOREIGN LANGUAGE FILM
CESAR WINNER: BEST FOREIGN LANGUAGE FILM
Shoplifters, Palme d’Or at the 71st Cannes Film Festival, screened at the Toronto, San Sebastian and London film festivals !
Japanese release – June 8th (GAGA) has already surpassed 4 billions JPY BO ($39.4M)
US Release – November, 23rd (Magnolia)
“A masterful ensemble piece” – SCREEN
“A rich, satisfying film” – THE GUARDIAN
OSCAR NOMINATION: BEST FOREIGN LANGUAGE FILM
CESAR WINNER: BEST FOREIGN LANGUAGE FILM
French Release - January, 23rd
Yao by Philippe Godeau was released in France on January 23rd!
Russian Release - February, 7th (BVSPR)
The Factory by Yuriy Bykov was released on February 7th in Russia!
The Factory by Yuriy Bykov was released on February 7th in Russia!
US Release - March, 1st (A24)
After winning the CICAE Art Cinema Award at the 50th Directors’ Fortnight, Climax won Best Feature Film and the Méliès d’Or for Best European Fantastic Film at the Sitges Film Festival!
US Release on March 1st (A24)
“An extraordinarily intense experience” – SCREEN
“Visually extraordinary, structurally and formally audacious” – THE GUARDIAN
“Certainly the best snapshot of a talented filmmaker” – INDIEWIRE
After winning the CICAE Art Cinema Award at the 50th Directors’ Fortnight, Climax won Best Feature Film and the Méliès d’Or for Best European Fantastic Film at the Sitges Film Festival!
US Release on March 1st (A24)
“An extraordinarily intense experience” – SCREEN
“Visually extraordinary, structurally and formally audacious” – THE GUARDIAN
“Certainly the best snapshot of a talented filmmaker” – INDIEWIRE
French Release - March, 13th
Winning the Press Prize at Alpes d’Huez Festival !
“Tarantino-style offbeat rapid fire comic Noir thriller meets socio-realism a la the Dardennes”- LE JOURNAL DU DIMANCHE
“A daring rock’n roll comedy that seduces with black humour worthy of Anglo-Saxon cinema” -CNEWS
“Allan Maudit delivers an uproarious comedy powered along by Cécile de France and Yolande Moreau” – LE FIGARO
Winning the Press Prize at Alpes d’Huez Festival !
“Tarantino-style offbeat rapid fire comic Noir thriller meets socio-realism a la the Dardennes”- LE JOURNAL DU DIMANCHE
“A daring rock’n roll comedy that seduces with black humour worthy of Anglo-Saxon cinema” -CNEWS
“Allan Maudit delivers an uproarious comedy powered along by Cécile de France and Yolande Moreau” – LE FIGARO
US Release - April, 12th
After being selected at “Un Certain Regard”, Long Day’s Journey Into Night was selected at the Toronto, San Sebastian and New York Film Festivals!
US Release: April 12th (Kino Lorber)
French Release: Jan 30th (Bac Films)
“Long Day’s Journey is marked by moments of visual splendor” – HOLLYWOOD REPORTER
“A beautiful, smoulderingly romantic film” – SCREEN
” A poetic masterpiece, the most beautiful film of the festival” – PARIS MATCH
(...)
After being selected at “Un Certain Regard”, Long Day’s Journey Into Night was selected at the Toronto, San Sebastian and New York Film Festivals!
US Release: April 12th (Kino Lorber)
French Release: Jan 30th (Bac Films)
“Long Day’s Journey is marked by moments of visual splendor” – HOLLYWOOD REPORTER
“A beautiful, smoulderingly romantic film” – SCREEN
” A poetic masterpiece, the most beautiful film of the festival” – PARIS MATCH
French Release - April, 17th
Raoul Taburin has been awarded the Audience Award for Kids at the Zurich Film Festival !
Raoul Taburin has been awarded the Audience Award for Kids at the Zurich Film Festival !
UK Release - May, 17th (Altitude Films)
UK Release – May, 17th (Altitude Films)
BEATS had its world premiere at Rotterdam International Film Festival!
“An infectiously enjoyable slice of knockabout nostalgia that wears its Trainspotting heritage proudly on its rough-edged tartan sleeve” – THE HOLLYWOOD REPORTER
“Beats brilliantly captures the nervy, joyful terror of turning up at a derelict warehouse equipped with a sound system and woefully inadequate toilet facilities” – SCREEN INTERNATIONAL
(...)
UK Release – May, 17th (Altitude Films)
BEATS had its world premiere at Rotterdam International Film Festival!
“An infectiously enjoyable slice of knockabout nostalgia that wears its Trainspotting heritage proudly on its rough-edged tartan sleeve” – THE HOLLYWOOD REPORTER
“Beats brilliantly captures the nervy, joyful terror of turning up at a derelict warehouse equipped with a sound system and woefully inadequate toilet facilities” – SCREEN INTERNATIONAL
" An extraordinarily intense experience. "
SCREEN
" A maelstrom whose beauty resides not only in its assemblage but also in the way in which it succeeds in transfiguring its raw materials. "
LE MONDE
" Long Day’s Journey is a beautiful, smoulderingly romantic film. "
SCREEN
" Certainly the best snapshot of a talented filmmaker. "
INDIEWIRE
" The wildest cinematic experience of the festival. "
LES INROCKUPTIBLES
" \"Tarantino-style offbeat rapid fire comic Noir thriller meets socio-realism a la the Dardennes\" "
LE JOURNAL DU DIMANCHE
" Visually extraordinary, structurally and formally audacious. "
THE GUARDIAN
" Soulful, wounded-eyed preteen taking the lead. "
THE WRAP
" A simple story told with abundant gentleness, Yomeddine looks at a group of outcasts with such compassion and generosity. "
SCREEN
" Kore-Eda Hirokazu reaffirms himself as one of the world\\\'s best auteurs with this heartbreaking drama about a different kind of crime family. "
INDIE WIRE
" A deeply poetic style that recalls both Wong Kar-Wai and Andrei Tarkovsky. "
THE HOLLYWOOD REPORTER
" A splendid addition to the ranks of great guttersnipe dramas. "
VARIETY
" It’s one of the most authentic endings in the filmmaker’s nearly 60-year career. "
INDIE WIRE
" Raw dramatic power. "
SCREEN
" A rich, satisfying film. "
THE GUARDIAN
" The film is a sweet, solid feature marbled with genuinely touching moments. "
VARIETY
