French Release - May 18th - Pan Distribution
“The film presents all this with humor, and it works – the result is entertaining and funny”
“A rich gallery of sympathetic and compassionate characters”
– The News –
“The film presents all this with humor, and it works – the result is entertaining and funny”
“A rich gallery of sympathetic and compassionate characters”
– The News –
French Release - May 20th - Le Pacte
“The most perfect, recognizable representation of what life has felt like in the pandemic.”
– The New York Times –
“Marion Cotillard and Melvil Poupaud are at the top of their game.”
– The Hollywood Reporter –
“Desplechin has a gift for examining grief and pain but often leavens the dismay with humour or irony.”
– Screen International –
“The most perfect, recognizable representation of what life has felt like in the pandemic.”
– The New York Times –
“Marion Cotillard and Melvil Poupaud are at the top of their game.”
– The Hollywood Reporter –
“Desplechin has a gift for examining grief and pain but often leavens the dismay with humour or irony.”
– Screen International –
French Release - June 15th - Diaphana
“The funniest film in recent memory.”
– Le Monde –
“Dupieux is now a major player.”
– Télérama –
“Quentin Dupieux’s most delightful comedy yet.”
– Le Figaro Magazine –
“A gallery of delicious portraits.”
– Sud Ouest –
”The pleasure is contagious.”
– Le Figaro –
“The funniest film in recent memory.”
– Le Monde –
“Dupieux is now a major player.”
– Télérama –
“Quentin Dupieux’s most delightful comedy yet.”
– Le Figaro Magazine –
“A gallery of delicious portraits.”
– Sud Ouest –
”The pleasure is contagious.”
– Le Figaro –
French Release - July 1st - Pan Distribution
French Release - July 13th - Metropolitan Films
“Holy Spider is equal parts gripping and disturbing”
– The Hollywood Reporter –
“A serial-killer thriller that’s profoundly compelling and intentionally horrifying”
– The Telegraph –
” It’s a statement of intent, showing a laudable instinct for humanizing and dimensionalizing the victims and their families, who are poignantly depicted”
– Variety –
“Holy Spider is equal parts gripping and disturbing”
– The Hollywood Reporter –
“A serial-killer thriller that’s profoundly compelling and intentionally horrifying”
– The Telegraph –
” It’s a statement of intent, showing a laudable instinct for humanizing and dimensionalizing the victims and their families, who are poignantly depicted”
– Variety –
French Release - July 20th - Gaumont
French Release - August 31st - Le Pacte
“A remarkable supernatural twist to the coming-of-age drama rich with thematic intrigue and sensuality.”
– Indiewire –
“The Five Devils captivates from its very first seconds. Incredibly rich and inviting.”
– The Playlist –
“A remarkable supernatural twist to the coming-of-age drama rich with thematic intrigue and sensuality.”
– Indiewire –
“The Five Devils captivates from its very first seconds. Incredibly rich and inviting.”
– The Playlist –
French Release - 31st August - Ad Vitam/US Release - 8th July - IFC
“A Sexy, Emotionally Volatile Relationship Drama.”
– Variety –
“Denis is a masterful director who always knows exactly what she’s doing. ”
– The Hollywood Reporter –
“A contained backdraft of a film that’s as volatile and untamed as an inferno.”
– IndieWire –
“A Sexy, Emotionally Volatile Relationship Drama.”
– Variety –
“Denis is a masterful director who always knows exactly what she’s doing. ”
– The Hollywood Reporter –
“A contained backdraft of a film that’s as volatile and untamed as an inferno.”
– IndieWire –
French Release - September 21st - Ad Vitam
French Release - September 28th - Diaphana
“Tori and Lokita” is the Dardennes’ strongest, most dramatically persuasive film in years”
– New York Times –
“The angriest movie the Dardenne brothers have ever made.”
– IndieWire-
“The best work in nearly a decade from the two-time Palme d’Or-winning Belgian brothers.”
– The Los Angeles Times –
“Tori and Lokita” is the Dardennes’ strongest, most dramatically persuasive film in years”
– New York Times –
“The angriest movie the Dardenne brothers have ever made.”
– IndieWire-
“The best work in nearly a decade from the two-time Palme d’Or-winning Belgian brothers.”
– The Los Angeles Times –
French Release - October 12th - Nour Film
“Maksym Nakonechnyi has been very resourceful in gathering footage that starkly and upsettingly reveals the trauma of recent times.”
– Deadline –
“A magnetic central performance from Rita Burkovska.”
– Screen –
“Butterfly Vision naturally takes on another dimension today. This powerful drama that also questions the place left to hope is a success.”
– Polyester –
“Maksym Nakonechnyi has been very resourceful in gathering footage that starkly and upsettingly reveals the trauma of recent times.”
– Deadline –
“A magnetic central performance from Rita Burkovska.”
– Screen –
“Butterfly Vision naturally takes on another dimension today. This powerful drama that also questions the place left to hope is a success.”
– Polyester –
French Release - October 12th - Le Pacte
“An enjoyable out-of-competition entry that played well for a roomful of people looking for a distraction from real-world problems. “
– IndieWire –
“An enjoyable out-of-competition entry that played well for a roomful of people looking for a distraction from real-world problems. “
– IndieWire –
French Release - October 19th - Le Pacte
“R.M.N is Mungiu’s most fully realized work since “4 Months””
– INDIEWIRE –
“An absorbing watch.”
“The message is topical, not to say urgent.”
“A dramatic tour de force.”
– SCREEN –
“Intimidatingly intelligent.”
“A complex film, so replete with ideas that one might expect the aesthetics
to be of lesser concern, but R.M.N is almost absurdly handsome.”
– VARIETY –
“R.M.N is a fascinating, very human exploration of
the many problems faced by one of the last countries entered in the E (...)
“R.M.N is Mungiu’s most fully realized work since “4 Months””
– INDIEWIRE –
“An absorbing watch.”
“The message is topical, not to say urgent.”
“A dramatic tour de force.”
– SCREEN –
“Intimidatingly intelligent.”
“A complex film, so replete with ideas that one might expect the aesthetics
to be of lesser concern, but R.M.N is almost absurdly handsome.”
– VARIETY –
“R.M.N is a fascinating, very human exploration of
the many problems faced by one of the last countries entered in the EU.”
– THE HOLLYWOOD REPORTER –
“As ever, the writer-director works intimately
and close to the ground with his handful of characters.”
– DEADLINE –
French Release - October 19th - Sony Pictures
French Release - November 9th - Wild Bunch Distribution
French Release - December 7th - Le Pacte
“Bouchareb means to enrage his audience — to remind them that France’s shameful past isn’t that far removed from our collective present — and he honours the dead by keeping the proceedings modest. The sobering story doesn’t need much embellishment.”
– Screen Daily –
“Khoudri is one of the most promising and versatile actresses of the young French generation.”
– Washington Post –
“Bouchareb means to enrage his audience — to remind them that France’s shameful past isn’t that far removed from our collective present — and he honours the dead by keeping the proceedings modest. The sobering story doesn’t need much embellishment.”
– Screen Daily –
“Khoudri is one of the most promising and versatile actresses of the young French generation.”
– Washington Post –
French Release - December 28th - ARP
“A precisely calibrated, emotionally nuanced exploration of one woman going through a mid-life crisis in rural Indonesia during the 1960s that both looks and sounds stunning thanks to above-and-beyond craft contributions.”
– The Hollywood Reporter –
“Before, Now & Then is a very carefully wrought arthouse film of the kind we used to see a good deal more in festivals, wreathed in poetic melancholy and never less than beautiful”
– Deadline –
“A precisely calibrated, emotionally nuanced exploration of one woman going through a mid-life crisis in rural Indonesia during the 1960s that both looks and sounds stunning thanks to above-and-beyond craft contributions.”
– The Hollywood Reporter –
“Before, Now & Then is a very carefully wrought arthouse film of the kind we used to see a good deal more in festivals, wreathed in poetic melancholy and never less than beautiful”
– Deadline –
" Before, Now & Then is a very carefully wrought arthouse film of the kind we used to see a good deal more in festivals, wreathed in poetic melancholy and never less than beautiful "
DEADLINE
" A rich gallery of sympathetic and compassionate characters. "
The News
" The most perfect, recognizable representation of what life has felt like in the pandemic. "
The New York Times
" Holy Spider is equal parts gripping and disturbing. "
The Hollywood Reporter
" A dramatic tour de force. "
SCREEN
" Tori and Lokita is the Dardennes’ strongest, most dramatically persuasive film in years. "
New York Times
" The Five Devils captivates from its very first seconds. Incredibly rich and inviting. "
The Playlist
" The funniest film in recent memory. "
Le Monde