French Release (Ad Vitam)
I Feel Good, directed by Benoit Delepine & Gustave Kervern, will be the closing film at the 71st Locarno Film Festival!
I Feel Good, directed by Benoit Delepine & Gustave Kervern, will be the closing film at the 71st Locarno Film Festival!
French Release (Mars Film)
Dilili in Paris, directed by Michel Ocelot, was the opening movie at the 42th Annecy International Animation Film Festival
“Michel Ocelot offers up a pleasantly meaningful journey through French cultural history” – THE HOLLYWOOD REPORTER
“Sumptuous settings perfectly captured in 2D and 3D” – LE FIGARO
“Magnificent” – PREMIERE
“The marvel of the 42th Annecy Festival” – LE POINT
Dilili in Paris, directed by Michel Ocelot, was the opening movie at the 42th Annecy International Animation Film Festival
“Michel Ocelot offers up a pleasantly meaningful journey through French cultural history” – THE HOLLYWOOD REPORTER
“Sumptuous settings perfectly captured in 2D and 3D” – LE FIGARO
“Magnificent” – PREMIERE
“The marvel of the 42th Annecy Festival” – LE POINT
French Release (UGC)
“A funny and poetic fable of the magic and illusions of childhood that will enchant audiences whatever their age.” – LA CROIX
“Bruno Podalydes’ Becassine is a powerful woman.” – TELERAMA
“The film’s mise en scene is striking in its invention and in the stunning, almost Tatiesque precision with which it harmonizes music, image, editing and action” – LES INROCKUPTIBLES
“A funny and poetic fable of the magic and illusions of childhood that will enchant audiences whatever their age.” – LA CROIX
“Bruno Podalydes’ Becassine is a powerful woman.” – TELERAMA
“The film’s mise en scene is striking in its invention and in the stunning, almost Tatiesque precision with which it harmonizes music, image, editing and action” – LES INROCKUPTIBLES
French Release (Bac Films)
Selected at “Un Certain Regard” at the 71st Cannes Film Festival
“Long Day’s Journey is marked by moments of visual splendor” – HOLLYWOOD REPORTER
“A beautiful, smoulderingly romantic film” – SCREEN
” A poetic masterpiece, the most beautiful film of the festival” – PARIS MATCH
Selected at “Un Certain Regard” at the 71st Cannes Film Festival
“Long Day’s Journey is marked by moments of visual splendor” – HOLLYWOOD REPORTER
“A beautiful, smoulderingly romantic film” – SCREEN
” A poetic masterpiece, the most beautiful film of the festival” – PARIS MATCH
François Chalais Prize Winner
Yomeddine, directed by A.B. Shawky, won the François Chalais Prize, awarded to the film “that best expresses the reality of our world while remaining true to the humanist thought of François Chalais.”
“Shawky shows a sure hand with his non-professional actors (…) and demonstrates a fine compositional eye” – VARIETY
“A simple story told with abundant gentleness, Yomeddine looks at a group of outcasts with such compassion and generosity” (...)
Yomeddine, directed by A.B. Shawky, won the François Chalais Prize, awarded to the film “that best expresses the reality of our world while remaining true to the humanist thought of François Chalais.”
“Shawky shows a sure hand with his non-professional actors (…) and demonstrates a fine compositional eye” – VARIETY
“A simple story told with abundant gentleness, Yomeddine looks at a group of outcasts with such compassion and generosity” – SCREEN
French Release (Wild Bunch)
Climax, directed by Gaspar Noé, won the CICAE Art Cinema Award at the 50th Directors’ Fortnight.
“An extraordinarily intense experience” – SCREEN
“Visually extraordinary, structurally and formally audacious” – THE GUARDIAN
“Certainly the best snapshot of a talented filmmaker” – INDIEWIRE
Climax, directed by Gaspar Noé, won the CICAE Art Cinema Award at the 50th Directors’ Fortnight.
“An extraordinarily intense experience” – SCREEN
“Visually extraordinary, structurally and formally audacious” – THE GUARDIAN
“Certainly the best snapshot of a talented filmmaker” – INDIEWIRE
French Release (Gaumont)
Capharnaüm, directed by Nadine Labaki, won the Jury Prize, the Ecumenical Jury Prize and the Social Responsibility Award at the 71st Cannes Film Festival.
French Release – October 17th (Gaumont)
US Release – December 14th (Sony Pictures Classic)
“Raw dramatic power” – SCREEN
“a splendid addition to the ranks of great guttersnipe dramas” – VARIETY
“Soulful, wounded-eyed preteen taking the lead” – THE WRAP
Capharnaüm, directed by Nadine Labaki, won the Jury Prize, the Ecumenical Jury Prize and the Social Responsibility Award at the 71st Cannes Film Festival.
French Release – October 17th (Gaumont)
US Release – December 14th (Sony Pictures Classic)
“Raw dramatic power” – SCREEN
“a splendid addition to the ranks of great guttersnipe dramas” – VARIETY
“Soulful, wounded-eyed preteen taking the lead” – THE WRAP
Special Palme d'Or Winner
The Image Book, directed by Jean-Luc Godard, just won the very first Special Palme d’Or at the 71st Cannes Film Festival!
“One of the most authentic endings in the filmmaker’s nearly 60-year career”
“Godard’s full-fledged experimental technique maintains deep philosophical ambitions” – INDIE WIRE
“Godard’s eyeball-frazzling video essay bewilders and delights” – THE GUARDIAN
The Image Book, directed by Jean-Luc Godard, just won the very first Special Palme d’Or at the 71st Cannes Film Festival!
“One of the most authentic endings in the filmmaker’s nearly 60-year career”
“Godard’s full-fledged experimental technique maintains deep philosophical ambitions” – INDIE WIRE
“Godard’s eyeball-frazzling video essay bewilders and delights” – THE GUARDIAN
Palme d'Or Winner
Shoplifters, Palme d’Or at the 71st Cannes Film Festival, was successfully released in Japan and has already surpassed 3 billions JPY BO ($27.8M)
French Release – December, 12th (Le Pacte)
US Release – November, 23rd (Magnolia)
“A masterful ensemble piece” – SCREEN
“A rich, satisfying film” – THE GUARDIAN
Shoplifters, Palme d’Or at the 71st Cannes Film Festival, was successfully released in Japan and has already surpassed 3 billions JPY BO ($27.8M)
French Release – December, 12th (Le Pacte)
US Release – November, 23rd (Magnolia)
“A masterful ensemble piece” – SCREEN
“A rich, satisfying film” – THE GUARDIAN
US Release (FOX)
“Charged and poignant.” – THE HOLLYWOOD REPORTER
“You don’t need to like any sports or come to Nossa Chape already familiar with their hardships and history to appreciate the documentary.” – FILM THREAT
“Charged and poignant.” – THE HOLLYWOOD REPORTER
“You don’t need to like any sports or come to Nossa Chape already familiar with their hardships and history to appreciate the documentary.” – FILM THREAT
" It’s one of the most authentic endings in the filmmaker’s nearly 60-year career. "
INDIE WIRE
" An extraordinarily intense experience. "
SCREEN
" A rich, satisfying film. "
THE GUARDIAN
" The wildest cinematic experience of the festival. "
LES INROCKUPTIBLES
" A maelstrom whose beauty resides not only in its assemblage but also in the way in which it succeeds in transfiguring its raw materials. "
LE MONDE
" A simple story told with abundant gentleness, Yomeddine looks at a group of outcasts with such compassion and generosity. "
SCREEN
" A deeply poetic style that recalls both Wong Kar-Wai and Andrei Tarkovsky. "
THE HOLLYWOOD REPORTER
" The film is a sweet, solid feature marbled with genuinely touching moments. "
VARIETY
" A splendid addition to the ranks of great guttersnipe dramas. "
VARIETY
" Certainly the best snapshot of a talented filmmaker. "
INDIEWIRE
" Soulful, wounded-eyed preteen taking the lead. "
THE WRAP
" Raw dramatic power. "
SCREEN
" Visually extraordinary, structurally and formally audacious. "
THE GUARDIAN
" Kore-Eda Hirokazu reaffirms himself as one of the world\\\'s best auteurs with this heartbreaking drama about a different kind of crime family. "
INDIE WIRE
" Long Day’s Journey is a beautiful, smoulderingly romantic film. "
SCREEN
